Portrait of the French singer and actor Yvette Guilbert by Henri de Toulouse-Lautrec, 1890 (Gary Bruder Fine Art). Robert Creeley’s “Air: ‘The Love of a Woman’”: The love of a woman is the possibility which surrounds her as hair her head, as the love of her follows and describes her. But what if they die, then there is still the aura left, left sadly, but hovers in the air, surely, where this had taken place? Then sing, of her, of whom it will be said, he sang of her, it was the song he made which made her happy, so she lived. View high resolution

Portrait of the French singer and actor Yvette Guilbert by Henri de Toulouse-Lautrec, 1890 (Gary Bruder Fine Art).

Robert Creeley’s “Air: ‘The Love of a Woman’”:

The love of a woman
is the possibility which
surrounds her as hair
her head, as the love of her

follows and describes
her. But what if
they die, then there is
still the aura

left, left sadly, but
hovers in the air, surely,
where this had taken place?
Then sing, of her, of whom

it will be said, he
sang of her, it was the
song he made which made her
happy, so she lived.

Notes

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